2,994 Free Artworks of Architectural Prints In The Metropolitan Museum Of Art

department of drawings and prints, metropolitan museum of artwoodcutetching printeyn new kunstlichboich (1529)rogers fund - books and manuscriptsanton woensamprints by stefano della bella in the metropolitan museum of artbaroquestefano della bellawoodcuts by isabella parasole in the metropolitan museum of art
Eyn new kunstlichboich, page 4r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 13r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 22v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 3r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 12v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 24r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 20v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 24v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 22r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 14r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 23v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 21r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 23r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 13v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 3v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 9v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 4v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 17v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Plate 7: two friezes; at top, an eagle and the head of a lion, at bottom, a lion head and two grotesque heads of men, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques), Stefano della Bella, circa 1638–43
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Two Putti holding a crown over the letter, 'L' (for Louis XIV?), Plate 3 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Acanthus Scrolls and Two Small Figural Motifs Below, Plate 15 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Acanthus Scrolls and a Child flanked by Dogs in the Center, Plate 8 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Nicolas Langlois (I), circa 1645–50
prints by stefano della bella in the metropolitan museum of artnicolas langlois
Plate 3: two infants standing in the water at center with their legs as scrollwork, below three small sketches of heads, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques), Stefano della Bella, circa 1638–43
prints by stefano della bella in the metropolitan museum of artbaroque
Plate 6: a triton and a siren fighting at center, their legs as scrollwork, a swan to right, the grotesque head of an old man below, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques), Stefano della Bella, circa 1638–43
prints by stefano della bella in the metropolitan museum of artbaroque
Plate 6: a cartouche supported by a duck below and decorated with two nymphs whose arms become tree branches, from 'Nouvelles inventions de Cartouches', Stefano della Bella, circa 1647
prints by stefano della bella in the metropolitan museum of artbaroque
Two eagles with wings spread, below two leopard heads attached to tree trunks that form three circles, from 'Ornaments or Grotesques' (Ornamenti o Grottesche), Stefano della Bella, circa 1650–56
prints by stefano della bella in the metropolitan museum of artbaroque
Two views of a grotto, both views with a fountain with a seated statue, seen from the left and right sides, from 'Views of the villa at Pratolino' (Vues de la villa de Pratolino), Stefano della Bella, circa 1653
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Three Putti holding a Garland and Two Leopards jumping over it, Plate 16 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Design for Two Friezes, the One on Top containing a Zephyr flanked by Lions, Plate 14 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Plate 1: an eagle walking towards the right, a bust of a woman to right turned in profile towards the left, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques), Stefano della Bella, circa 1638–43
françois collignonbaroque
Plate 32: Men with heraldic flags and horses from Overijssel and Utrecht marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Plate 39: Men with heraldic flags and horses from Limburg and Carniola marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Plate 34: Men with heraldic flags and horses from Frise and the Hapsburg Empire marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Plate 45: Men with heraldic flags and horses from the House of Brabant and Burgundy marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Plate 37: Men with heraldic flags and horses from Zeeland and Holland marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Plate 36: Men with heraldic flags and horses from Zutphen and Namur marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Plate 44: Men with heraldic flags and horses from Carinthia and Styria marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artriderless horses (funeral tradition)
Costume Design Portfolio for the Play 'Captain Jinks of the Horse Marines', Percy Anderson, 1901
department of drawings and prints, metropolitan museum of artpercy anderson
Costume Design for a Valet, likely for the Ballet 'Les Papillons', premiered at the Théâtre de Monte-Carlo, Léon Bakst, circa 1914
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Costume Design for 'Miss Merriam' Act I, Percy Anderson, 1901
department of drawings and prints, metropolitan museum of artpercy anderson
Design for Stained Glass: A Halbardier by an Unfinished Coat of Arms, Hans Jakob Plepp, circa 1570–80
department of drawings and prints, metropolitan museum of arthans jakob plepp
Design for an Enameled Watchcase and Châtelaine with Mythological Figures, George Michael Moser, circa 1766 (?)
department of drawings and prints, metropolitan museum of artgeorge michael moser
Landscape, possibly a detail of the Set Design for the Ballet 'Narcisse', premiered at the Théâtre de Monte Carlo, Léon Bakst, [1911]
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, Léon Bakst, [1911]
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, Léon Bakst, [1911]
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, Léon Bakst, [1911]
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, Léon Bakst, [1911]
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Costume Design for 'Third Ballet Girl (Italian)', Percy Anderson, 1901
department of drawings and prints, metropolitan museum of artpercy anderson
Design for the Frame of a Funerary Plaque with the Coat of Arms of Roger II de Saint Lary, Duc de Bellegarde, Étienne Martellange, circa 1619–30
department of drawings and prints, metropolitan museum of artétienne martellange
Design for the Frame of a Funerary Plaque with the Coat of Arms of Roger II de Saint Lary, Duc de Bellegarde, Étienne Martellange, circa 1619–30
department of drawings and prints, metropolitan museum of artétienne martellange
Design for the Frame of a Funerary Plaque with the Coat of Arms of Roger II de Saint Lary, Duc de Bellegarde, Étienne Martellange, circa 1619–30
department of drawings and prints, metropolitan museum of artétienne martellange
Catafalque for Pope Sixtus V; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura', Domenico Fontana, 1591
domenico fontanamannerism
Design for a Fountain with Sea Horses and Triton Base, Basin, Dolphins and Tritons, Three Grotesque heads and Neptune, Battista Franco Veneziano, circa 1550
department of drawings and prints, metropolitan museum of artdrawings by battista franco
Design for a Fountain with Sea Horses and Triton Base, Basin, Dolphins and Tritons, Three Grotesque heads and Neptune, Battista Franco Veneziano, circa 1550
department of drawings and prints, metropolitan museum of artdrawings by battista franco
Treasury House, 10 Downing Street, London: Plan of the First-floor Parlor (Northeast Corner Room), William Kent, circa 1732–42
william kentisaac ware
Plate 53: Eight figures marching in the funeral procession of Archduke Albert of Austria; from 'Pompa Funebris ... Alberti Pii', Cornelis Galle the Elder, 1623
department of drawings and prints, metropolitan museum of artambrosio spinola, marqués de los balbases
Medea kills the two children she had by Jason: Histoire de Jason et de la conquête de la toison d'or., Léonard Thiry, 1563
works after léonard thiryrené boyvin
Cathedram S. Petri in interiore templi fronte...Plate 41 from the Album 'Basilica di S. Pietro in Vaticano', François Spierre, 1666 (or after)
works after gianlorenzo berninifrançois spierre
Jason confronting the dragon guarding the Golden Fleece, from: Histoire de Jason et de la conquête de la toison d'or, Léonard Thiry, 1563
works after léonard thiryrené boyvin
Two decorates Frieze Designs for Cornices, from: Frise pour les architraves, corniches et autres ornaments d'architecture, Jean Leblond, before 1666
jean le pautrejean leblond i
Design for a Frieze with Grotesques in the Flemish Style (recto); Winged Term and Other Terms with Grotesque Birds (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Design for a Frieze with Grotesques in the Flemish Style (recto); Winged Term and Other Terms with Grotesque Birds (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Design for a Wall Decoration with Apollo and the Muses, a Figure of Astronomy, and the Coat-of-Arms of a Grand Duke of Tuscany as Grand Master of the Order of Santo Stefano, Marco Marchetti, 1561–88
department of drawings and prints, metropolitan museum of artmarco da faenza
Two Scenes placed One above the Other of a Reclining Warrior and a Reclining Putto (recto); Grotesque Fountain with a Warrior (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Two Scenes placed One above the Other of a Reclining Warrior and a Reclining Putto (recto); Grotesque Fountain with a Warrior (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Architect's Sketchbook and Sourcebook., Ferdinando Galli-Bibiena, between 1700 and 1743
department of drawings and prints, metropolitan museum of artferdinando galli da bibbiena
Flower Of Every Virtue For The Noble And Honest Matron, title page (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
Veduta del Palazzo dal Piano del Giardino con le sue Fontane, from 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)', part 4, 'Le Fontane del Giardino Estense in Tivoli' (plate 3), Giovanni Francesco Venturini, 1691 or after
works by giovanni giacomo de rossigiovanni francesco venturini
Plate 7: Allegory of Justice with griffin of Manlius Toquatus, from Barberinae aulae fornix, Pietro da Cortona, circa 1677
works by pietro da cortonabaroque
Interior view of St. Peter's Basilica in the Vatican, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi, circa 1748
etchings by giovanni battista piranesineoclassicism
Ascension of Christ (Acts I, 1–9): Study for stained-glass window, Edward Burne-Jones, circa 1875–84
pre-raphaelite brotherhood,symbolismdrawings by edward burne-jones
Eyn new kunstlichboich, page 7r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 7r, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Eyn new kunstlichboich, page 21v, Anton Woensam, 1529
rogers fund - books and manuscriptseyn new kunstlichboich (1529)
Plate 3: a cartouche with a woman with wings ending in a serpent's tail to left, seen from the front, a similar woman seen from the back to right, from 'Twelve cartouches' (Recueil de douze cartouches), François Langlois dit Chartres, circa 1640–45
prints by stefano della bella in the metropolitan museum of artfrançois collignon
A man and a woman conversing at center, surrounded by a row of young men to the right and young women to the left, Mercury appears at top left corner; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Perspective view of the interior of a hall, with cross-vault decorated with grotesques, plate 18, from Scenographiae sive Perspectivae, Hans Vredeman de Vries, published 1601
department of drawings and prints, metropolitan museum of artjoannes van doetecum (i)
Di Lucio Vitruvio Pollione De architectura Libri Dece traducti de latino in vulgare affigurati: commentati: & con mirando ordine insigniti, Cesare Cesariano, 1521
department of drawings and prints, metropolitan museum of artcesare cesariano
Di Lucio Vitruvio Pollione De architectura Libri Dece traducti de latino in vulgare affigurati: commentati: & con mirando ordine insigniti, Cesare Cesariano, 1521
department of drawings and prints, metropolitan museum of artcesare cesariano
A row boat leading a ship to shore while a large group of figures looks on from the coast and along the bridge at center; a deity appears in the sky at upper left; set design from 'Il Fuoco Eterno', Mathäus Küsel, 1674
department of drawings and prints, metropolitan museum of artmatthäus küsel
Prologue; the stage curtain is lifted to reveal a soldier on an elephant surrounded by his army; above Jupiter and his eagle look down on men carrying boulders; set design from 'La Monarchia Latina Trionfante', Mathäus Küsel, 1678
department of drawings and prints, metropolitan museum of artmatthäus küsel
Plate 85: View of the Contarini Palace in Campo San Trovaso, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), Luca Carlevarijs
department of drawings and prints, metropolitan museum of artprints by luca carlevarijs
Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), Luca Carlevarijs
department of drawings and prints, metropolitan museum of artprints by luca carlevarijs
Plate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), Luca Carlevarijs
department of drawings and prints, metropolitan museum of artprints by luca carlevarijs
Plate 96: View of the facade of the Pisani Palace in Campo Santo Stefano, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), Luca Carlevarijs
department of drawings and prints, metropolitan museum of artprints by luca carlevarijs
Plate 95: View of Campo Santo Stefano with the Loredan Palace and Morosini Palace, Venice, 1703, from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia), Luca Carlevarijs
department of drawings and prints, metropolitan museum of artprints by luca carlevarijs
Villa at Pratolino - Obelisks, Staircases, and Statues, Stefano della Bella, circa 1653
prints by stefano della bella in the metropolitan museum of artbaroque
Three men at center, an old man who holding out an open book for a soldier to sign as a smaller man stands to the left holding ink; a large group of men surround them; set design from 'Il Fuoco Eterno', Mathäus Küsel, 1674
department of drawings and prints, metropolitan museum of artmatthäus küsel
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 33 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 2 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
Costume Design for a Woman from the Village, for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, Léon Bakst, [1912]
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Costume Design for 'Fifth Ballet Girl' (Short White Dress), Percy Anderson, 1901
department of drawings and prints, metropolitan museum of artpercy anderson
Costume design for a Brigand Boy in the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, Léon Bakst, [1912]
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 14 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 9 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 15 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 39 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 30 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 25 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 6 (recto), Isabella Parasole, 1610
woodcuts by isabella parasole in the metropolitan museum of artfiore d'ogni virtu per le nobili et honeste matrone
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